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LOVE FOR SALE:
SEAN BAKER'S CINEMA OF SATISFACTION
Sean Baker has stepped firmly into the role of America's most sophisticated, articulate, and socially meaningful filmmaker.
Martin Scorsese, Quentin Tarantino, Richard Linklater, Ken Loach, and Mike Leigh should be falling over themselves, praising Sean Baker for his filmmaking gifts.
Not the least of which is Mr. Baker's seamless ability to slip intimately between American regions (Florida, Texas, New York City) to create thoroughly researched, locality specific, stories that ring like a bell with authenticity and humor.
Sex-work in America is the topic that Sean Baker continues to mine in all of his films.
Mikey Madison takes no prisoners in her fearless performance as Anora. Russian/American "Ani" works at a Brighton Beach strip club where she meets Vanya (Mark Eidelshtein), the over-privileged son to Russian oligarch, Nikolai Zakharov (Aleksey Serebryakov).
Shit hits the fan when Vanya's filthy rich folks find out that their son and a stripper are a thing.
Darya Ekamasova is hilarious as Galina Zakharov, a woman with way too much money and power.
The film's remarkable ensemble cast feeds on the material to achieve incredible set-piece action sequences that explode like indoor fireworks.
"Anora," is yet another film (behind "Starlet," "Tangerine," "The Florida Project," and "Red Rocket") that Mr. Baker wrote, cast, directed, and edited, is yet another quantum leap in modernday cinematic storytelling.
This is a movie that gets into your bones.
It is inspiring that Sean Baker is able to write screenplays with such precise novelistic detail about people interacting in overlooked aspects of day-to-day life in America.
Mr. Baker's dialogue is modernday Shakespearean.
Just stunning.
You want Neo-Modern-Realist Cinema, well here it is. Serious adult filmmaking doesn't get any better than this. All NYU film students should be studying Mr. Baker's films.
You can easily tell in its first 15 minutes why "Anora" won the coveted Palme d'Or at Cannes.
"Anora" is a winner, and an instant classic of American Independent Cinema.
Rated R. 140 mins.
